Sample Book Pages
from "The Complete Guide to Sony's Alpha 500 and 550 DSLRs and the Alpha Mount System"
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CHAPTER 0 THE GOALS OF THIS BOOK
CHAPTER 1 INTRODUCTION
MAJOR FEATURES IMPROVED NOISE AT HIGH SENSITIVITIES LIVE VIEW AND FACE DETECTION TWO LIVE VIEW MODES SMILE SHUTTER HANDHELD HDR SHOOTING “FRIENDLY” HELP GUIDE INSANELY LONG BATTERY LIFE VERTICAL GRIP STEADYSHOT™ ANTI-DUST WIRELESS FLASH RESPONSIVENESS DYNAMIC RANGE OPTIMIZATION UP TO FIVE IMAGES PER SECOND SMALLER AND LIGHTER SCENE SELECTION MODES DIFFERENCES BETWEEN A500 AND A550 A SLIGHTLY HIGHER-RESOLUTION SENSOR A HIGHER-RESOLUTION LCD SCREEN 7 PICTURES-PER-SECOND VIA THE SPEED PRIORITY CONTINUOUS ADVANCE MODE A LARGER MEMORY BUFFER SOME ESSENTIAL HISTORY ABOUT SONY, MINOLTA, KONICA MINOLTA, AND CARL ZEISS LENSES CROP FACTOR SONY AND MINOLTA LENS NOMENCLATURE FREQUENTLY ASKED QUESTIONS ABOUT LENSES SUMMARY OF CHAPTER 1
CHAPTER 2 CONTROLS SHORTHAND NOTATION POWER SAVE MODES AUTO SETTING PROGRAM (“P”) MODE THE LIVE VIEW / OFV SWITCH DIFFERENT DISPLAYS THE “IMAGES REMAINING COUNTER” FOCUSING BASICS HOW DOES THE CAMERA KNOW WHAT TO FOCUS ON? AUTOFOCUS USING LIVE VIEW AND FACE DETECTION THE FOCUSING SENSORS AUTOFOCUS (AF) / MANUAL FOCUS (MF) SWITCH SINGLE-SHOT AF / CONTINUOUS AF FOCUSING MODES BATTERIES AC POWER THE OTHER BATTERY FLASH SELF-TIMERS THE “RESET” FEATURE SUMMARY OF CHAPTER 2
CHAPTER 3 INTRODUCTION VIEWING YOUR PICTURES WHILE THEY’RE STILL IN THE CAMERA VARIATIONS ON A THEME - THE DISPLAY BUTTON DELETING AN IMAGE (OR MULTIPLE IMAGES) PROTECTING AN IMAGE VIEWING YOUR IMAGES ON AN HDTV HAVING YOUR PICTURES PRINTED AT A 1-HOUR PHOTO LAB CANCELING DPOF FILES DOWNLOADING PICTURES TO YOUR COMPUTER EPILOGUE SUMMARY OF CHAPTER 3 CHAPTER 4 HERE WE GO SHUTTER SPEEDS SHUTTER PRIORITY MODE SPORTS PROGRAM MODE F/STOPS APERTURE PRIORITY MODE WHAT YOU SEE IS NOT ALWAYS WHAT YOU GET MANUAL EXPOSURE MODE SO, IN SUMMARY TRADEOFFS THE NEW HELP DISPLAY ISO– HOW SENSITIVE IS THE CAMERA TO LIGHT? HIGH ISO NOISE REDUCTION EXPOSURE COMPENSATION TIME EXPOSURES THE SCENE SELECTION MODES SPORTS PROGRAM MODE SUNSET MODE PORTRAIT MODE MACRO MODE LANDSCAPE MODE NIGHT PORTRAIT / NIGHT VIEW MODE SUMMARY OF SCENE SELECTION MODES VIEWFINDER EYEPIECE DIOPTER CORRECTION SUMMARY OF CHAPTER 4
CHAPTER 5 FOCUSING MODES SINGLE AND CONTINUOUS AF WITH SUBJECT TRACKING WHY BOTHER WITH MANUAL FOCUSING? HOW YOUR EXPOSURE METER THINKS CENTER-WEIGHTED AND MULTI-SEGMENT METERING SPOT METERING HOW DO YOU SWITCH BETWEEN THE THREE METERING MODES? SPOT METERING AND EXPOSURE LOCK THE AEL BUTTON COMBINE AEL WITH SPOT METERING A BRIEF RECAP STEADYSHOT™ WHITE BALANCE AUTO WHITE BALANCE AND PRE-SET WHITE BALANCE TWEAKING THE PRE-SET WHITE BALANCE THE COLOR TEMPERATURE SETTING CUSTOM WHITE BALANCE FLASH, FILL FLASH, AND WIRELESS FLASH 1) AND 2) AUTO FLASH AND FILL FLASH 3) FLASH EXPOSURE COMPENSATION 4) REAR SYNC FLASH 5) WIRELESS FLASH 6) AND 7) ADI AND PRE-FLASH TTL 8) RED-EYE REDUCTION MODE DRIVE MODES SINGLE-SHOT ADVANCE CONTINUOUS ADVANCE SELF-TIMER BRACKETING WHITE BALANCE BRACKETING ADVANCED TOPICS: THE HISTOGRAM DISPLAY BRIGHTNESS RANGE, SENSORS, AND THE HUMAN EYE USING THE HISTOGRAM FOR A FINER DEGREE OF CONTROL DYNAMIC RANGE OPTIMIZATION HIGH DYNAMIC RANGE (HDR) FUNCTION DRO VS. HDR CREATIVE STYLES CONTRAST SETTING SATURATION SETTING SHARPNESS SETTING COMBINING SETTINGS B&W MODE AdobeRGB MY PERSONAL CAMERA SETTINGS MENU SETTINGS FUNCTION PARAMETERS SUMMARY OF CHAPTER 5
CHAPTER 6 WRITING WITH LIGHT COMPOSITION – THE RULE OF THIRDS OUT OF PLACE SHOT CLASSICAL PORTRAIT ENVIRONMENTAL PORTRAIT “HEY, LOOK AT ME!” SUMMARY OF CHAPTER 6
CHAPTER 7 INTRODUCTION HOW TO USE WIRELESS FLASH HOW DOES IT WORK? WILL THE PRE-FLASH BURSTS AFFECT THE EXPOSURE? HOW TO DO “RATIO FLASH” FOR PROFESSIONAL LIGHTING RESULTS BOUNCE FLASH LIGHT MODIFIERS FLASH AND CONTINUOUS SHOOTING MANUAL FLASH MODE (HVL-F58AM, HVL-F56AM AND HVL-F42AM ONLY) HIGH SPEED SYNCH (HSS) FLASH HOW TO ACTIVATE HSS WHICH FLASH SHALL I GET? PARTING SHOT TO PROBE FURTHER SUMMARY OF CHAPTER 7
CHAPTER 8 FILE FORMAT EXECUTIVE SUMMARY FOR THE IMPATIENT READER THE CHAPTER BEGINS “WHAT’S A PIXEL? WHAT’S A MEGAPIXEL?” “HOW MANY MEGAPIXELS ARE ENOUGH?” FILE TYPES JPG COMPRESSION ARTIFACTS IMAGE SIZE IMAGE SIZE AND RESOLUTION MEMORY CARDS SOME BACKGROUND ON MEMORYSTICK PRO DUO MEMORY CARD CORRUPTION ISSUES DUST ON THE SENSOR “HOT PIXELS” ON THE IMAGE SENSOR “HOT PIXELS” ON THE LIVE VIEW SENSOR SUMMARY OF CHAPTER 8
CHAPTER 9 READ THIS FIRST INTRODUCTION AFTER YOU INSTALL AUTOMATICALLY TRANSFER YOUR IMAGES BROWSE YOUR IMAGES BASIC EDITING ROTATING AND CROPPING ADJUSTING THE TONE CURVES AND THE COLOR BALANCE SHARPNESS PRINTING OTHER EDITING SOFTWARE RAW CONVERSION USING IMAGE DATA CONVERTER VERSION STACK EXTREME EXAMPLES WHAT’S AVAILABLE SUMMARY OF CHAPTER 9
CHAPTER 10 INTRODUCTION A LITTLE HISTORY THE SOLUTION – THE SINGLE LENS REFLEX FREQUENTLY ASKED QUESTIONS ADVANTAGES OF LIVE VIEW ADVANTAGES OF THE OPTICAL VIEWFINDER SO SHOW ME HOW TO USE LIVE VIEW, ALREADY! LIVE HISTOGRAM FACE DETECTION SMILE SHUTTER THE SMART TELECONVERTER FUNCTION MF CHECK LV SPEED PRIORITY CONTINUOUS ADVANCE (A550 ONLY) HOW LIVE VIEW CAN HELP YOU GET MORE CREATIVE SUMMARY OF CHAPTER 10
CHAPTER 11 LENS RENTAL INTERNET FORUMS AND DISCUSSION BOARDS CAMERA AND LENS REVIEW SITES TWO OUTSTANDING IMAGING MAGAZINES 25 WAYS TO “WOW!” E-BOOKLET ADVANCED TOPICS 1 AND 2 THE FRIEDMAN ARCHIVES SEMINARS THE ROAD TO CHINA THE MAUI XAPHOON EPILOGUE
APPENDIX A - A “COOKBOOK” FOR SPECIAL SHOOTING SITUATIONS INTRODUCTION FIREWORKS ARTISTIC WATERFALLS STAGE PERFORMANCES / ROCK CONCERTS NIGHTTIME TIME EXPOSURES SHOOTING IN SNOW OUTDOOR GROUP PORTRAITS STREET PHOTOGRAPHY SUNSETS AND SILHOUETTES THE MOON NIGHTTIME SPORTS CHRISTMAS LIGHTS PRODUCT SHOTS INTERIORS THAT SELL LIGHTNING CANDLELIGHT SHOTS
INDEX
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